"July 22 (1969)" Limited Collectors Edition Book - Stephen Shore

Condition: New - Open

About the Work:

A unique opportunity to own a limited edition print by Stephen Shore

In 2007 PS1 gallery put on a show called "Not for Sale." It included paintings, photographs and sculptures by over thirty artists who had been asked to lend a work that they could not part with. Stephen Shore chose July 22, 1969.

Having spent three years documenting Warhol’s Factory Shore had been exposed to the conceptual and serial practices that were transforming art in New York and beyond. With July 22, 1969 he made his first foray into the deadpan seriality that would become his trademark. Shot at thirty-minute intervals over the course of twenty-four hours, July 22, 1969 follows Shore’s friend Doug Marsh through an unremarkable day in Amarillo, Texas. "I looked at the second hand on my watch," Shore explains. "I didn’t want to wait for a good moment to take the photograph around that time. I wanted to do it at exactly that time."

This dramatic shift in intentionality and interest paved the way for his color series American Surfaces, which he began in 1972, again on a trip to Amarillo. Though seldom exhibited, July 22, 1969 demonstrates the fascination with everyday subjects, vernacular techniques and chance operations that would not only distinguish Shore as an artist but would also break down the barrier between photography and art in the following decade.

Christie Lange's Survey tracks the artist’s remarkable development from his precocious beginnings to his most recent groundbreaking work. In the Interview Michael Fried asks the artist what steps he takes when composing photographs to embody them with such a vivid sense of spatial empathy. Joel Sternfeld’s Focus looks at Holden Street, North Adams, Massachusetts, July 13, 1974, a deceptively simple image that masterfully interweaves colour, content and composition. Artist’s Choice features a range of historical quotes that distill centuries of wit and wisdom into a handful of timeless maxims. With language as uncluttered as his photographs, the Artist’s Writings offer a clear view of his incisive thinking on the subjects of photography, vision and experience.

Publisher's Description

All our frames are manufactured in the USA, using eco-friendly and sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.

All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.